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    The Da Vinci Code (2006)

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    1:06 | Trailer

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    ON DISC
    A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.

    Director:

    Ron Howard

    Writers:

    Akiva Goldsman (screenplay), Dan Brown (novel)
    Popularity
    1,341 ( 381)
    Nominated for 1 Golden Globe. Another 8 wins & 20 nominations. See more awards »

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    Edit

    Cast

    Cast overview, first billed only:
    Tom Hanks ... Robert Langdon
    Audrey Tautou ... Sophie Neveu
    Ian McKellen ... Sir Leigh Teabing
    Jean Reno ... Captain Bezu Fache
    Paul Bettany ... Silas
    Alfred Molina ... Bishop Manuel Aringarosa
    Jürgen Prochnow ... Andre Vernet
    Jean-Yves Berteloot ... Remy Jean
    Etienne Chicot ... Lt. Collet
    Jean-Pierre Marielle ... Jacques Saunière
    Marie-Fran?oise Audollent ... Sister Sandrine
    Rita Davies ... Elegant Woman at Rosslyn
    Francesco Carnelutti Francesco Carnelutti ... Prefect
    Seth Gabel ... Michael
    Shane Zaza ... Youth on Bus
    Edit

    Storyline

    Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy ...

    Plot Summary | Plot Synopsis

    Taglines:

    Break The Codes See more »

    Genres:

    Mystery | Thriller

    Certificate:

    13 | See all certifications »

    Parents Guide:

    View content advisory »
    Edit

    Details

    Country:

    USA | Malta | France | UK

    Language:

    English | French | Latin | Spanish

    Release Date:

    18 May 2006 (China) See more »

    Also Known As:

    The Da Vinci Code See more »

    Edit

    Box Office

    Budget:

    $125,000,000 (estimated)

    Opening Weekend USA:

    $77,073,388, 21 May 2006

    Gross USA:

    $217,536,138

    Cumulative Worldwide Gross:

    $758,239,851
    See more on IMDbPro »

    Company Credits

    Show more on IMDbPro »

    Technical Specs

    Runtime:

    | (extended cut)

    Sound Mix:

    Dolby Digital | DTS | SDDS (8 channels)

    Color:

    Color

    Aspect Ratio:

    2.39 : 1
    See full technical specs »
    Edit

    Did You Know?

    Trivia

    The French Inspector's name, "Bezu Fache", is a crude pun. In French, the words roughly translate to "angry fucker". This alludes to Fache's short-tempered attitude. See more »

    Goofs

    (at around 7 mins) While conversing with Arigarosa in Latin, Silas calls "Paris" "Parisi". The Latin name for Paris was Lutetia; "Parisi" was the name of its inhabitants. See more »

    Quotes

    [first lines]
    Silas: Stop now. Tell me where it is.
    [removes hood]
    Silas: You and your brethren possess what is not rightfully yours.
    Jacques Saunière: I... I don't know what you are talking about.
    Silas: Is it a secret you will die for?
    Jacques Saunière: Please.
    Silas: As you wish.
    [cocks gun]
    See more »

    Crazy Credits

    No opening credits are shown after the title of the movie. See more »

    Alternate Versions

    The film was originally shown to the UK censors in an unfinished form, with a temp score and sound mix. The BBFC advised Sony Pictures that sound levels during some acts of violence may be too impactful for the requested "12A" rating, so the film was likely to receive a 15 classification. When formally submitted, the final levels of sound effects on the completed soundtrack had reduced the strength of some acts of violence to an extent which made the film able to get a "12A" rating. See more »

    Connections

    Referenced in How to Get Away with Murder: There's My Baby (2016) See more »

    Soundtracks

    Phiano
    Written and Performed by Dan Brown
    Courtesy of DGB Records
    See more »

    Frequently Asked Questions

    See more »

    User Reviews

     
    A Nutshell Review: The Da Vinci Code
    18 May 2006 | by DICK STEELSee all my reviews

    This movie is becoming as controversial as the book. Since the day it was announced that it's gonna be made, there were protests against it being done, and it has escalated to calls for boycotting, or banning the movie altogether. I'll not waste time and go into its controversies, nor discuss what's real and what's not. Neither will I explain in detail the plot, as I believe most of you readers would already have some vague idea of what it's about, or have read the book, since it's on the bestsellers list for months.

    Rather, I'll evaluate the movie as it is, on how well it entertains. Those who wish to preach in my comment box, prepare to have those comments deleted, at my discretion. This is the stand I shall take, that this movie is entirely fictional, based on events which are used loosely, for the sole purpose of weaving a storyline that tries to be believable. I think some have already mentioned it's too successful in doing that, and may mislead people into thinking its theories presented, are real. However, don't take it too seriously, and if you wish to, use another proper platform to debunk the myths, not my movie review blog.

    The structure of the movie, is exactly the same as the book. There is no change to the ending, despite some rumours that it will be different. Naturally, some of the detailed explanation that's given in the book, especially many three-way dialogue between Sophie- Robert-Leigh, have to be summarized in order to pace this movie into 2 1/2 hours. Herein lies the challenges. For those who've read the book, the movie offers nothing new, other than the gratification of watching events and characters play out on the big screen. For those who haven't read the book, the movie version should be decent enough to make you want to pick up the novel and read more into the controversial theories explained.

    However, having being familiar with the plot and how the story unfolds, red herrings, character motivations, twists and all, it may leave those who've read the novel, a page-turner in every sense of the word, a bit wanting, that the pace could've been improved. Undoubtedly the pacing sags when it's time for some dialogue heavy moments, but I suppose that is unavoidable when you're revisiting material.

    However, its presentation of these controversial dialogue moments coupled with special effects, that will make you go wow. Truly, the technique is nothing original, and some of the visuals used looked like Return of the King and Kingdom of Heaven rejects, but as a whole, combined with the narrative, it helps to present the controversies in a more palatable manner.

    Casting, I felt, was spot on. Tom Hanks makes Robert Langdon pretty accessible, given Hanks' everyman demeanor, and Audrey Tautou makes a believable Sophie Neveu. Ian McKellen, probably THE actor with 2 summer blockbusters back to back (the other being X- Men 3), is convincing as the rich grail hunter Sir Leigh Teabing. Paul Bettany is chilling as the albino killer Silas, and Jean Reno and Alfred Molina round up the star studded cast as the detective Captain Fache and Bishop Aringarosa.

    Much is said about the haunting soundtrack, but as far as I'm aware, there's nothing scary about it. Silas, in his scene of self-cleansing, is horrid enough though, as are some scenes of unexpected on screen violence that hit like a sack of potatoes falling from the sky.

    In the end, in spite of all the controversies, perhaps Robert Langdon's line is poignant - if given a chance, would you rather destroy faith, or renew it? The book and the movie have provided an opportunity for the faith to renew itself, to debunk the myths and theories (which were developed loosely to make the story flow of course), and to generally point the curious to the direction and light the faith wants to show.

    Otherwise, this Ron Howard movie makes a good summer popcorn flick, with the usual thrills and spills you'd come to expect with its superb production values.


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